Vizard Agent

How to cut a music video from your performance takes

Last updated 2026-10-10 · 2 min read

Upload every performance take and the song master, then tell Vizard Agent the cuts should follow the beat and the lip-sync must hold. Vizard Agent maps the song's beat grid, measures how far each take drifts from playback, aligns them, and cuts between takes without breaking the mouth.

What do you type into Vizard Agent?

Name the two rules that govern a music video and leave the rest open. Vizard Agent needs to know that the beat drives the cut and that the lip-sync is protected, and once those are set it can be trusted with speed ramps, reverses and the grade.

Prompt

Cut an official [vertical] music video from these takes and [song.wav]. Cuts follow kicks, snares and section changes, not every hit. Preserve lip-sync through the vocals. [Film grain, halation, deep blacks.]

What does Vizard Agent actually do?

A music video cut from performance takes has one hard constraint no other edit has: the mouth has to keep matching the words. Every take was filmed to playback and every take drifted slightly, so Vizard Agent measures a sync offset per take before making any creative decision about the cut. In the session behind this article it:

When does this not work well?

Music video work mostly fails on the shoot day rather than in the edit. Takes not filmed to playback can't be lip-synced, because there's nothing to align to, and a master that differs from what played on set breaks the sync. Heavy speed ramps fight the mouth, so they belong on instrumental sections.

Common questions

Do my takes need to be pre-synced? No. Vizard Agent measures each take's drift from the master and aligns them itself.

What if a take was not filmed to playback? Then Vizard Agent cannot lip-sync it. It can still be used on instrumental sections.

Will it cut on every drum hit? Not unless you ask. Vizard Agent cuts on kicks, snares and section changes by default.