Vizard Agent

How to stop the stock clips' own sound getting into your mix

Last updated 2026-10-10 · 2 min read

Tell Vizard Agent to mute the source clips unless their sound is doing something. Downloaded and stock footage carries whatever was recorded on the day, like traffic, a room or a stranger talking, and it arrives under your narration by default. It checks what each clip actually holds, mutes the ones adding nothing, and measures whatever survives against the voice.

What do you type into Vizard Agent?

Give Vizard Agent the default, then ask for the exceptions. "Mute the stock footage sounds" is already a complete instruction, and asking which clips are worth un-muting turns a blanket rule into a decision about each one. Say what the mix is for, too: usually that the voice leads.

Prompt

Build this with the source clips muted. I do not want the stock footage's own sound in the mix. Check what audio each clip actually carries first and tell me if any of it is worth keeping, then measure the narration against the music so the voice leads.

What does Vizard Agent actually do?

Nobody chooses the ambience in a stock clip. It comes with the file, and several clips each bring their own room. The muting itself is just a rendering decision; the useful work happens before it, in finding out what's actually on each audio track. In the session behind this article it:

When does this not work well?

Muting by default is the wrong rule when the footage itself is the point, and Vizard Agent will say so. Documentary material, reaction clips and anything where the recorded sound is evidence all want their native audio kept, so there the default should be reversed. Action footage often needs its impact sound too.

Common questions

Will it mute everything? Only what adds nothing. Vizard Agent checks each clip first.

What if someone speaks in a clip? Vizard Agent looks for that before muting, and keeps it.

Will the video sound too dry? It can. Ask Vizard Agent to add one deliberate bed instead.